Shuddha Kalyan Raag Description
Shuddha Kalyan Raag has notes of Raag Bhoopali in Aaroh and Raag Yaman in Avroh. In some texts, it is referred to as Raag Bhoop-Kalyan, however the name Shuddha Kalyan is more popular.
In Avroh while rendering Aalaps, S’ N D and P M G are taken in Meend and pause is not given on Nishad and Madhyam Teevra respectively. In Taans, Nishad is taken freely in Avroh and Madhyam Teevra may be skipped. The following combinations illustratively bring out the form of the Raag:
S ; ,N ,D ; ,N ,D ,P ; ,P ,D S ; S ; G R S ; ,D ,P G ; R G ; S R ; S ,N ,D S ; G R G P R S ; S R G P M G ; R G P D P ; S’ D S’ ; S’ N D ; P M G ; R G R S ; G R G P R S ;
| Thaat | Kalyan |
|---|---|
| Vaadi/Samvaadi | G/D |
| Prahar | 5 (6 pm - 9 pm) |
| Important Anuvaadi | P |
| Aaroha | S-R-G-P-(S')D-S' |
| Bhaav | Shadj-Madhyam |
| Avaroha | S'-N-D-P-M-G-R-S |
| Saptak-pradhaanata | Mandra-Madhya |
| Pakad | S-('N)'D-'P,'D-S,R-G-P-(M)G,P-(G)R-S |
| Tanpura Tuning | N |
| Jaati | Audav-Sampoorn |
| Other Characteristics | |
| Similar Raagas | |
| Popular Film Songs | 1. Chaand phir nikala, magar tum na aaye Film: Paying Guest Singers: Lata Mangeshkar Taala: Keharva Music Director: S. D. Burman Poet: 2. Jahaan daal daal par sone ki chiriyaan Film: Sikandar-e-Azam Singers: Mohammad Rafi Taala: Keharva Music Director: Poet: 3. Rasik balama Film: Chori Chori Singers: Lata Mangeshkar Taala: Keharva Music Director: Poet: 4. Ye shaam ki tanahaayiaan aise mein tera gham Film: Singers: Lata Mangeshkar Taala: Keharva Music Director: Poet: |
| Non-Film Songs |