Kalingada Raag Description
Rag Kalingada is very similar to Bhairav. Unlike Bhairav, this rag is performed in the last part of the night. There has been a strong tendency over the last few decades to take lighter interpretations of both Kalingada as well as Bhairav. The result is that the two rags have begun to converge. Whenever there is such a convergence, the general tendency is for rags to asume the name of Bhairav. If this tendency continues, we can expect Kalingada to completely merge with Bhairav and to lose its identity in the process.
The structure of this raga is very simple. It is a sampurna – sampurna rag performed in a very straight manner.
The problems of the vadi / samvadi theory are clearly seen here. Some say that Pa and Sa are the vadi and samvadi. Unfortunately, there is no agreement on this point. Ga, Dha, and Ma have also been declared to be the vadi and samvadi (in various combinations). Kalingada’s characteristics are:
|Prahar||8 (3 am - 6 am)|
|Other Characteristics |
|Popular Film Songs||1. Mohe bhool gaye saanwariya
Film: Baiju Bawra
Singers: Lata Mangeshkar
Music Director: Naushad
Poet: Shakeel Badayuni
|Non-Film Songs||1. Man laagyo mero yaar faqeeri mein (Bhajan)