Jogiya Raag Description
The Raag name Jogiya came from Jogi, a corrupt name for Yogi. One can appreciate the characteristic mood of devotion and detachment created by this Raag.
Madhyam is powerful, a nyas Swar as well as a Vadi Swar. Jogiya has Rishabh and Dhaivat Komal like Raag Bhairav, however they are not oscillated here. In Avroh, Shuddha Nishad is Alp and is always used as a Kan Swar of Komal Dhaivat like: S’ (N)d P. Sometimes Komal Nishad is also used as a Kan Swar with Komal Dhaivat like: m P d (n)d m ; m r S to enhance the beauty of this Raag. R-m and d-m are rendered in Meend.
This Raag is expandable in Madhya and Tar Saptaks. This Raag creates a heavy atmosphere, however it is suitable for Thumri, Bhajans and Dadra etc. Following combinations are illustrative:
S r S ,d S ; S r m ; m P ; P m r S ; r S ,d S ; r m P ; m P d S’ ; S’ (N)d P ; m P d (n)d m ; m r S ; ,d S ;
Thaat | Bhairav |
---|---|
Vaadi/Samvaadi | S/m |
Prahar | 1 (6 am - 9 am) |
Important Anuvaadi | d |
Aaroha | S-r-m-P-d-S' |
Bhaav | Shadj-Madhyam |
Avaroha | S'-N-d-P-m-(G)r-S |
Saptak-pradhaanata | Madhya-Tar |
Pakad | S-r-m-(G)r-S |
Tanpura Tuning | P |
Jaati | Audav-Sampoorn |
Other Characteristics | |
Similar Raagas | |
Popular Film Songs | 1. Dil ek mandir Film: Dil ek mandir hai Singers: Taala: Dadra Music Director: Poet: 2. Kah do koi na kare yahaan pyaar Film: Goonj Uthi Shehnai Singers: Mohammad Rafi Taala: Music Director: Vasant Desai Poet: Bharat Vyas 3. Raat bhar ka hai mehmaan andhera Film: Sone Ki Chiriya Singers: Mohammad Rafi Taala: Music Director: O. P. Nayyar Poet: Sahir Ludhiyanvi |
Non-Film Songs |