Bhairavi : Introduction

Raag Bhairavi is a Hindustani Classical heptatonic (Sampurna) Raag of Bhairavi Thaat. Traditionally it is a morning raga. In modern times, typically in Khyal Gayaki, it is usually performed as the concluding (finale) piece in concerts. It is the defining raga of its own Thaat.

Carnatic music has a Bhairavi raga which is quite different from the Hindustani raga.

Hanumatodi in Carnatic music has the same scale as the Bhairavi in Hindustani music.

Theory

Writing about the musical theory of Hindustani music is fraught with complications. Firstly, there have been no set, formal methods of written notation. Secondly, Hindustani music is an aural tradition, and therefore writing is not an essential part of learning.

Behavior

Behavior refers to practical aspects of the music. It is complicated to talk about this for Hindustani music since many of the concepts are fluid, changing, or archaic. The following information cannot be accurate, but it can attempt to reflect how the music existed. The Performance for this raga is unusually relaxed, some musicians take the liberty of using shuddha Re in ascent, and even the sequence Ma – Teevra Ma. These deviations, however, are not typical of the raga. Musicians are also inclined to sometimes avoid Pa in ascent.

Samay (Time)

Bhairavi is a late morning raag.But it is also used as a concluding piece and as such has been performed even at night,but always in semi or light-classical rendering.If one has to sing or play bhairavi as a main piece it has to be in the morning time.

Seasonality

Bhairavi is one of few raags that can be sung in any season.

Rasa

Raag Bhairavi is typically performed with a peaceful, serious, and occasionally sad mood.

Raga Details

ThaatBhairavi
Vaadi/SamvaadiP/S
Prahar1 (6 am - 9 am)
Important Anuvaadi
AarohaS-r-g-m-P-d-n-S’
BhaavShadj-Pancham
AvarohaS’-n-d-P-m-g-r-S
Saptak-pradhaanataMadhya-Tar
Pakad’n-S-g-m-d-P-g-m-P-g-m-r-S
Tanpura TuningP
JaatiSampoorn-Sampoorn
Other CharacteristicsThough shuddh Re, Ga, Dha, Ni and teevra Ma are all vivadis in Bhairavi, each one can be taken in a certain way to embellish the raga.
Performed during the first part of the prahar.
Similar Raagas
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Singers: Kundan Lal Sehgal
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Music Director:
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2. Do hanson ka joda bichhad gayo re
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3. Hamen tumse pyar kitna, ye hum nahin jaanate
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4. Hato kaaheko jhoothi banao batiyaan
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5. Jyot se jyot jagaate chalo
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6. Kaise samjhaoon, bare nasamajh ho
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7. Kar chale ham fida jaan-o-tan saathiyo
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8. Laga chunari mein daag, chhupaoon kaise
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Music Director: Roshan
Poet: Sahir Ludhiyanvi
9. Phul gendawa na maro
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10. Saanware, saanware
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11. Sajna sajna o sajna, tere pyar mein main gayi kho
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12. Teri raahon mein khare hain dil thaam ke
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13. Too ganga ki mauj main jamuna ka dhara
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Singers: Mohammad Rafi
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2. Bharat bhaai kapi se urin hum naahi (Bhajan)
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